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Shinji Namiki - The Devil's Nearest Neighbors [J1818's Bad Boy Disco Mix]

from The 12 Remixes of Christmas 2015 by 103 Records

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Track 2: The Devil's Nearest Neighbors [J1818's Bad Boy Disco Remix]
Original Artist: Gonkaka
Remix Artist: J1818
Original Track 1: 103records.bandcamp.com/track/the-devils-nearest-neighbors-boss-battle-from-k-type-gramophonic-4hd-version
Original Track 2: 103records.bandcamp.com/track/the-devils-nearest-neighbors-heavens-finest-fallen-mix-boss-battle

Proving my luck weren't great this time around initially, this song actually started out as a J1818 remix of Mental Machine Music instead. That idea was shitcanned solely because I just couldn't get the idea's I was mucking around with to sound interesting, and left me quickly scrambling for a song I could refit to work with the J1818 track model- thankfully, The Devil's Nearest Neighbors absolutely did, and the track came out fairly easily afterward the change in focus. Less thankfully, there's some minor audio clipping in the later half of the song I didn't catch in time to possibly fix- it's very minor and Dio didn't seem to pick up on it during her listens, but it was enough to send me into a bout of mini despair at 4am.

That aside, though, this is probably my favourite version of the song (of which there've been three so far). It's leaning more on the Euro House side of the work I do under J1818 then the New Beat/Rave Beat side, but there's a certain charm to the mellow, chilled out groove the song has going on, and I'm really quite happy with how the chopped and looped breaks came out sounding. Also, any song where I end up using the Pressure Me Lead patch from the Roland D-50 (and for a solo, no less) is always an instant perk of the job for me. Fuckin' love that patch, I do.

credits

from The 12 Remixes of Christmas 2015, released January 1, 2016
composed and remixed by Decon Theed

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103 Records England, UK

Those who fear music are dangerous.

103 Records is an independent label based in Cambridgeshire. Spearheaded by Decon Theed, 103 Does not believe in narrow genre focus, forced monetary participation, or exclusion of the individual; our goal is provide music of any genre, produced by musicians from all walks of life, and to have it be as readily available to everybody as is possible. ... more

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